April 2020

I was speaking with a friend the other day who is a writer. She said that she wanted to write something about these days - these very unusual days, ones that we have never seen before - but that she she didn’t know where to start. 

Since the end of 2019 events have been moving faster in real time than I’ve ever known. There has been so much to observe, so much to learn. And at the same time, we have all needed to survive.  

So at what point does the writer (or poet, or communicator of any kind) simply stop in the middle of this storm that we’re all weathering and create some kind of account of what has happened, what has been witnessed - even as the winds still rage and the sun still glows hot and red?

This requires sitting quietly and being on the move at the same time  - not an easy thing to do.

But there are so many stories. So many. I hope that we can all come together one day, as in olden times, and tell our stories to one another. Face to face, with respect for the telling and for the listening, and with all devices switched off. 

Is this hoping for too much?

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On February 1st, three separate bushfires joined into one on top of Tantawangalo Mountain, just to the south of our farm. Pushed by strong winds, this wall of fire raced down the mountain and tore through our property.

36 hours before this happened, I left my place behind. The advice from both the Fire Service and the Police was to evacuate. If I stayed, they might have to risk their own lives to save mine, and turn their backs on their work of saving houses and properties.

On the night of the fire I looked across the valley from the house where I was sheltering. 35 kilometres in the distance there was home, with a red-gray glow all above it.

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It was a good, hot burn. But my house is built on the lowlands near the banks of Devil’s Creek, where the winds don’t blow so hard. The fires died out just after they went through my place, leaving a clear, untouched circle around my house, garden and orchard.

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So it is in this landscape that I now work and live. And contemplate the present, just as it is, here and now. And chop the wood, haul the water, boil the pot.

Many of the trees around my place were burnt pretty badly on the outside, scorched black for metres up their trunks. And for days the skies rained with dead leaves, carpeting the ground, leaving the tree tops stark and bare. I didn’t know what would happen to them, but I feared the worst.

But then I got a surprise. Out of their blackened bark, the trees began sending out green shoots, as a way of taking in the sun’s energy once again. They literally created “jackets” for themselves that were also solar collectors - ingenious!

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About a week ago I went for a drive up the coast to the north, about halfway to Sydney, where the fires had passed a month or so before they came to Tantawangalo. 

And I saw many trees that had jacketed themselves, just as mine had. And that had then, one day, thrown off the old burnt bark along with the new green shoots, and now stood there, white and naked and glistening, ready to face the sun and the winds full-on again, ready for anything.

And now I’m thinking: have these trees been speaking to me in metaphors?

I know that all plans are cancelled, for now until somewhere in the future, perhaps. But what kind of future we will have is always uncertain, and even more so coming out of these present times. 

That’s the big picture, and I can live with it. 

When I think of missing this summer in the UK and Europe, of course I think of the shows that I won’t play, the musicians that I won’t collaborate with, the places I won’t see and so on. 

But much more than this, it is the people - all those friends who make my travels possible, who give me a home, who share everything with me including, most importantly, their personal selves. Their daily lives, their dreams and aspirations, their questions and the answers that they have found so far. These things remain with me, more than anything else.

I know how to be alone. In many ways it’s no problem for me. And perhaps it’s the same for you. 

But sometimes the configuration is just right. Sometimes it’s with other people that the very best in us - the part of us that we have nurtured in silence - comes out into the open. Yes, sometimes that's how it goes.

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So my prayer is for you (and all who are close to you) to be well and safe until we meet again on the other side … wherever that may be. And I will so miss seeing you this summer!

Best wishes to you,

Michael

Bushfires

Dear Friends,

Here I sit in my tiny mezzanine studio in Tantawangalo, nearly one month into 2020 - a year that’s already been record-breaking, though not in the usual positive sense in which those words are used. For as most of the world knows, my adopted country, Australia, has been burning for weeks now with unparalleled intensity.

It’s only halfway through the summer bushfire season, but already major blazes originating in the south and northwest have swept through farmland and communities in the region of the far southeast coast of New South Wales where I live, reducing homes and sections of townships to ash and rubble and fields and forests to blackened wastelands.

(Candelo NSW, enroute to Tantawangalo, 3rd January 2020)

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To date my local neighbourhood, Tantawangalo, has escaped the onslaught. Yet there is no guarantee that huge, still-uncontrolled blazes won’t turn our way again, or that localised flareups won’t threaten us at close range. As a result, my neighbours and I find ourselves confronting that most basic of human instincts: survival. Our homes and the properties they are built on are at the mercy of shifting winds, fluctuating temperatures, lightening strikes and happenstance. And as the courageous men and women of our Rural Fire Service have attested to, there’s no facing these fires once they’re truly on the move - in some instances forming walls of flame 30 metres or more in height, with inner temperatures of 1000 degrees Celsius - steel-melting infernos.

(Rural Fire Service Shed, Candelo, 10th January 2020)

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But before relating my personal side of this story, I want to backtrack briefly to my return to Australia in early October from extended travels in Europe, the United Kingdom and the USA. At my time of re-entry, the long, severe drought that we’re now experiencing was first showing its face, with temperatures of up to 36 degrees Celsius (approximately 102 degrees Fahrenheit) in a month roughly equivalent to April in the Northern Hemisphere. And signs of stress were already manifesting in my home environment - in the plants, trees and animals and on the very ground I was walking on, slowly turning into brown dust:

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My trajectory through Scotland, Germany, Austria, Switzerland, France and Romania is well documented on my Facebook Band/Musician page, https://www.facebook.com/Michael-Menager-1416532291922347/?eid=ARBHi9xzjfoRJCDN02A3ykbXLdSXVUgmTpVM__4kpgo5tA9Td2gEDVcMRt6USmqdsncQnZsaDLXPWtb6 

It’s an experience that’s still alive within me, a rich time of exchange with a range of audiences and of collaboration with talented fellow musicians:

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Pictured here is Swiss clarinettist Toni Lauper, who accompanied me one evening around midnight in the big festival tent at Hard Am Bodensee, Austria. Toni's good company, good humour and fine musicianship helped lift the string of shows we played together in Germany, France, Switzerland and Austria into a higher octave of synergy and fun.

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My subsequent run through the USA - Southern California, Arizona, Northern California and Northern Washington State - had more to do with connecting with friends and family than with performing. Although I couldn’t go through San Francisco without visiting Stella’s Salon, a very affable little pop-up venue in the inner city that I’d performed at the previous year:

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Knowing that I was on my way to the Bay Area, my old college pal Bob Gardner reserved my usual berth for me on the Plumb Crazy, one of two vintage sailboats he owns and berths just off Jack London Square in Oakland: always a welcome interlude for me in travels back to my home country. 

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Bob and I go back a long way, yet we still haven't run out of things to talk about - including his work teaching English to immigrants in a city that continues to stand up for its own, in defiance of the odds. May it forever be so!

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My final stop in the USA brought me close to the land and hence to thoughts of turning homeward. My friends Rafa and Shukyo Mithuna own and manage a farm called Three Rivers near Deming, Washington, at the foot of the great Northern Cascade Mountains, and for the third year running I stopped in to give them a hand.

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Due to the fact that I arrived in autumn, the work priority was gathering, sawing, splitting and stacking the winter’s supply of firewood - something I’m quite familiar with from my own yearly preparations for winter heating. However quantities multiply in a place that gets heavy snows rather the occasional heavy frosts that happen at home - so it was handy to have a nifty little machine capable of moving equipment, fuel and wood around.

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And quickly enough, I was landing back in New South Wales and awakening to the reality of the “big dry” that was already well under way, and to the degree of risk that this situation presented.

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Soon after my return I started applying myself to every form of prevention that was practical. In consultation with my partners here on the farm, I assessed a “stay and defend” strategy versus a “leave early” one, and and in view of the magnitude of the risk and my degree of preparedness for it, I decided upon the latter. Yet still, I went hard at things that I felt could increase the odds of of my house surviving a bushfire. Cleaning out gutters clogged with bush debris, cutting away close-lying growth, collecting and raking bark, leaves and branches in the large clearing around my house and burning off when it was safe to do so. 

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Yes, and amidst it all taking care of my apple, pear and citrus trees, tending to my chickens, and planting a garden to sustain me (and potentially others) in the weeks to come. 

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In the middle of this tense scenario, with major fires already burning out of control to the east of Sydney, I decided that I would honour a commitment I had made to attend a friend’s very significant, extended birthday party, set to take place south of Melbourne on the Mornington Peninsula. Accordingly, I left  home on December 24th, travelling by bus and train down the coast and then across the flatlands of northern Victoria. It was a smooth run all the way, through country that seemed somewhat less drought-stricken than where I’d come from. But by my scheduled day of return from Victoria, December 30th, much of what I’d seen on the way down was burning. All of the roads home were blocked by major bushfires, and swathes of country to the north, south and east of Tantawangalo, the rural district I live in, were on fire as well. 

(My place, 8:30 AM 4th January 2020)

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There wasn’t much that I could do for the next couple of days, apart from watching the news unfold and trying to figure out a way back. Land travel to New South Wales was out of the question and all of the flights on Regional Express, the one airline that makes the run between Melbourne and my region, were fully booked - along with a warning to customers that fire conditions had already caused flight cancellations and might well do so again. 

Meanwhile Kathleen (the birthday friend I mentioned earlier) had some connections around town and was quickly able to organise some accommodation for us in Yarraville, a quietly cosmopolitan inner suburb of Melbourne. The place definitely had the air of being secure and well-guarded:

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A couple of times during this period of waiting, when I could manage to lift my spirits far enough out of their worried state to focus on something else, I enjoyed several excellent Margaritas and some authentic, tasty Mexican food at a a certain Yarraville bistro located just where the city rail intersects Anderson Street. Also for a native Californian like myself to find himself in a Spanish-speaking environment once again. Recommended! 

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Sometime on January 31st, opening my laptop to the Regional Express site “just in case” for the hundredth time or more, to my amazement a seat from Melbourne to Merimbula - the nearest airport to home - suddenly popped up on the screen. Departure date January 1st, 2020, on the very first morning of the new year. Not the sort of morning that any part of me really wanted to be waking up to - but I pressed the “Book Your Flight” button anyway, and that was that.

At the airport ticket counter, the Regional Express agent instantly asked me, “Do you live up there? Because if you don’t, we can’t let you get on the plane.” But when I showed her a driver’s license that read Tantawangalo she let me right through. Only a select group of passengers were being allowed to travel back toward Armageddon, so it seemed. On Saturday January 4th, just two days away, temperatures of 45 degrees were predicted in my part of the world, along with fierce southerly winds strong enough to push the huge uncontrolled blazes in Northeastern Victoria up towards the New South Wales border and possibly beyond.

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And as it was prophesised, so it did happen. The terrible days of January 3rd and 4th, in the year 2020. Fires moving in seemingly every direction, threatening us here in Tantawangalo particularly from the south and the west, hammering forested areas, towns, farms, outbuildings and open fields up and down the coast and inland as well. The blazes travelled swiftly, mercilessly, relentlessly. At one point in the middle of the day on the 4th, with windstorms in the forests making it too dangerous for fire crews to remain in place, everyone in the region was encouraged to evacuate to one of three local townships that would be ringed and defended by the crews that had fallen back. No absolute guarantees given, of course, but at the time any other options I could think of seemed far more risky.

Besides, I had someone other than myself to think of. A couple who are longtime, close friends of mine - she a community health nurse and he a drug and alcohol counsellor - had been working virtually non-stop at our regional hospital, to the extent that they’d been eating and sleeping there as well. And during this time they’d entrusted their dog to my care - Olive, a lively and intelligent Australian Kelpie:

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I knew that my friends wouldn’t want Olive or me to be taking any unnecessary chances, so I decided that she  and I should move on to Bega, 50 kilometres or so to the northeast. Shelter had been offered there by a friend and his wife who lived with their two young kids in a quiet suburban street, and who were already hosting a small assortment of other fire refugees. 

I’m sure that lots of similar stories could be told about January 4th 2020 in Bega. It was a time when many doors were opened to friends and strangers alike, and when all of us, no matter who we were or where we’d come from, suddenly had darkness and uncertainty in common.

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Yet the fact is that over the critical days I’ve been writing about, principally through the mercy of changing winds, my home and the property I live on were spared from the flames. But since then, with weather conditions ramping up existing fires and creating conditions for new ones to flare up, I’ve had to evacuate yet another time. And as I write today, early in the week of 27th January, the predictions are for hellish temperatures and high winds to manifest again by Friday or Saturday. I’ve shifted hard-to-replace gear such as my instruments and amplifiers  to safer ground, my car remains packed and fueled up and my travel bag is close at hand. If I need to, I can move quickly.

And in the meantime, as you might know from my posts on social media, I’ve been entertaining a number of native guests who usually don’t come around so close, but who’ve tuned into the minimal “green zone" I maintain around my house and the bit of sustenance it offers them. Depending (as far as I can tell) on personality, some of them are a bit jumpy when I come around and other seen not to take much notice of me at all. 

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Here's my most newly arrived guest, a usually shy monotreme (egg-laying mammal)  known as an echidna. Every one of these I’ve met in the past has curled up into a spiky ball at the very sound and scent of my approach, but this fellow (or lady) has been shuffling around the place at will for the past few days, digging up ants with its elongated snout that serves as both its mouth and its nose, and not seeming to mind too much at all about being photographed.

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One of my daily activities in this time of uncertainty is to consult the emergency fire warnings that are updated at regular intervals on the New South Wales Rural Fire Service website. It’s an easy thing to remember, especially on days when the smell of smoke is is in the air and the sun is showing dull red behind a grey haze.

When a local fire is still uncontrolled but temporarily quiescent - ready to jump its constraints at any moment with a change in the wind - the Fire Service posts this advice: Watch and Act. And I’d say that this short phrase pretty well encapsulates my life at the moment. Watch and act. I must be alert, and make an effort not to miss anything - anything at all. And I need to be ready to “turn on a dime”, as they used to say in America: to move into action, in any direction, with very little advance notice.

Watch and act. There’s a edge to this phrase, something a bit uncomfortable, a feeling that complacency would be too dangerous to consider. At least for now, at this point in history. Or could it be that becoming complacent is no longer even an option? 

It’s a consideration for both you and me to make, each in our own way, in the midst of these very unusual times.

With all my best wishes to you & yours,

Michael

New Tour Dates Announced for 2019/ Australia & Europe

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EUROPEAN TOUR 2019

31st May: Café Au Lait, Freiburg, Germany

5th June: Lochgilphead, Scotland

(house concert @ Marmalade Deli - please contact for details)

15th June: “Handwork” Festival, Emmendingen, Germany

21st June: Café L’Edgar, Port-Lesney, France

22nd June: Schlosskeller, Emmendingen, Germany

26th June: Löwen Bar, Hausen am Albis, Switzerland

TOUR ARCHIVES

2019 Australian Show Dates

Newstead Live Music Festival - 25th - 28th Jan, 2019.
Saturday Anglican Church 11am
Saturday Uniting Church 7.15pm
Sunday Lilliput 1.15pm

Cobargo Folk Festival March 1-3 (MM Trio featuring Sam & Dan)

“Yarnin” Friday 01.03 8:00 PM

Mumbulla Saturday 02.03 10:00 AM

MM solo @ Dulcie’s Cottage, Merimbula, Sunday 10.03 6:30-8:00 PM

MM Trio @ Tathra Hotel 30.03 4:30 - 7:30 PM

MM with Candelo Songwriters @ Candelo Village Festival, 26-28.04.19 (dates/times tba)

MM Trio @ Tathra Hotel 26.05 4:30 - 7:30 PM

May 10 MM & Guests @ Cooee Arthouse Aldinga 7-9:30 PM

May 12 MM & Kelly Menhennett @ The Wheatsheaf Hotel, Thebarton, South Australia,  4-6:30 PM

TOUR OF USA & EUROPEAN STOPOVER TOUR

2018 American Tour Dates

8th May: Ukiah Brewing Company & Restaurant (with Wendy DeWitt & Kirk Harwood)
10th May: Aqus Cafe, Petaluma
12th May: HopMonk Sonoma
13th May: Mothers Day Concert, Glen Ellen (invitation only)
15th May: B Street Bistro, Hayward
20th May: The Back Room, Berkeley

EUROPEAN STOPOVER TOUR 2018

21st June 19.30 - 21.00
Albishaus Music & Grill
Naturfreundewig 8
8135 Albis Switzerland

23rd June 20.00 - 22:30
Cafe Au Lait
Brombergstrasse 33
Freiburg-Wiehre Germany

30th June 20.00 - 22.30
L’Edgar
10 Rue Edgar Faure
36900 Port-Lesney France

A Time of Turning

I don’t make political statements in my songs. It’s not that I don’t have strong feelings about what’s going on in our world these days: worries and concerns, hopes and aspirations. It’s just that mostly, when I’m writing, these considerations are in the background. When I read about or witness what’s going on in the world – the inspiring stuff as well as the horrifying stuff – mostly I see that what’s happening, the things that are either bringing us up or pulling us down, can all be boiled down to how we treat each other. How I treat you, how you respond to me, how we are in relation to our children, to our elders, to those in need. How we honour and respect others, and ourselves as beings with some sort of divine spark. As living entities whose need for food, shelter and safety has to overshadow any political or national allegiances.

So while this song might appear as some sort of broad social or political statement, it’s really not that at all. It’s more of a call to take a look at what we’re actually doing when we’re allowing some sort of cause, whatever it may be, to blot out other elements of our basic humanity.

There is nobility in so many of our actions: selflessness and genuine caring, a striving to do what is right and just and honourable. Men who have gone to war down through the ages have been motivated by such feelings: have laid down their lives willingly because of them, time and time again, from time immemorial. And this stands to reason: for a true man, at his most essential core, is a protector. In the words of Red Hawk, my poet brother and friend,

Waiting for his star to rise in the firmament,
praying for his heart to catch fire and shine,
a man carries water to bathe
the women and children;
he holds, lifts, and turns
the old and the dying;
he forgets himself completely.
He is revered in the company of women

because he is tender hearted and kind,
a man who can be trusted
and for whom they have no fear.

(from “What I Would Tell Young Boys” in The Way of Power, Hohm Press 1996)

So my song is not a call for some kind of political or social change. It is, literally, a call to turn: to turn our attention away from separative belief systems, whatever they might be, to the things that, over the long term, really matter: to our home place, our community, our young and our elderly, to our earth and its ability to sustain us over time.

When the boots come off, our feet can feel the earth again. When we start to see different colours everywhere, more colours than we ever could have imagined, our world becomes immeasurably richer. And that, too, is what this song is about.

New Video- Unfamiliar Place

Dear Friends, Here's the third installment in a series of new videos. I hope you enjoy, and please share! It’s an inconvenient truth that, a lot of the time, there’s something or somebody out there just waiting to pull the rug out from under me. To send me tumbling, maybe only as far as the floor if there’s no trap door, but maybe even further if there is. Until, at some point, I’m able to scramble my way back up again. But that is a whole different story, one that doesn’t really figure in this song.

Unfamiliar Place focuses on the first part, the falling. And, implicitly, about living with the uncertainty that comes when the ground disappears out from under me. Accepting the lack of “all the things that propped me up and kept me steady” – for a while at least, or maybe forever. Unfamiliar Place points to the fact that the rules of the game are changing all the time (“even the ground keeps moving”) and that it’s best not to jump to conclusions, whether I’ve got a parachute or not.

I don’t know what to tell you about that fellow who gets into the taxi, however. How or if he managed to scramble his way out of that situation.

I might have to write a sequel one day. But until then, your guess will just have to be as good as mine …

New Video - Rise in Love

Dear Friends, Here's the second installment in a series of new videos. I hope you enjoy, and please share!

Love songs don’t come easily to my pen. I have been a university lecturer in my past life, and I can still expound upon a great number of things, offer points of view and insights and interpretations, and perhaps even sound rational some of the time. But when it comes to love: that immeasurably vast subject, that unquantifiable force by and through which the most extraordinary things become possible – most of the time, I feel as though I’m still back in primary school.

Yet one day it came to me – driving around in my old ute, looking at the blue and white patches that make up the vast Tantawangalo sky – that all my life I’ve been closing doors and windows that ought to be left open. That I’ve been trying to catalogue, categorise, stake out a claim, when it comes to love. And has this worked? Definitely not. It has always brought me down, sooner or later.

Someone told me once that craziness can be defined this way: that you continue to do the same things over and over again, while at the same time you expect that there are going to be different results. Fortunately for us, new and different choices have a way of calling out to us from time to time, of making themselves so obvious that we can’t miss them. I see this as a form of grace, or mercy. And that’s what happened on the particular day that Rise In Love came into being.

So my thanks go out to the skies above, and to that moment of breakthrough, for the message that I received. And in this sense, Rise In Love is a song of gratitude, pure and simple.

Rise in Love is a song from Michael Menager's acclaimed new album featuring guests Jim Keltner, Matt Nightingale & Aaron Embry, produced by Heath Cullen. Hear more: www.michaelmenager.com

‘With more than a whiff of Dylan and Ramblin Jack Elliott, Menager’s songs are rich with characters, wry observations and wit… The more you delve into Not the Express, the more you will be delighted.' - Rhythms Magazine

"Menager sings of roads travelled and life lived, and he's warm and funny and wise, his songs delivered with youthful vigour" - Sydney Morning Herald

Dear friends, here's a new video, please share!

You pick up the pieces
You put them together
You make of them something new.

We humans are extraordinary resilient, I feel. And this is something to acknowledge ourselves for, something we can be proud of.

In the lead-up to recording Not The Express, Heath and I were having a conversation about songwriting one day. At one point he looked me straight in the eye and said, “Why don’t you write a song with a character in it who’s not you? You know, a song with a whole story in it, that’s not your story. It could be any sort of story you like.”

And that was how Pieces was born: taking up this challenge. The song includes two characters, neither of them me, and two stories. Both of these stories have to do with crashing and burning in some way or other. And the refrain of the song points to how, whenever this happens, we somehow find the means to rise again from our own ashes.

It’s always good to notice what is good.

MM

P.S. Thanks to Tim Winterflood.

Rhythms Magazine Review

This just in from Rhythms Magazine, Australia's authority on Roots & Americana music:

‘With more than a whiff of Dylan and Ramblin Jack Elliott, Menager’s songs are rich with characters, wry observations and wit… The more you delve into Not the Express, the more you will be delighted.' - Martin Jones, Rhythms Magazine

The full review is available in the current print edition.

 

Adelaide, my home-away-from-home.

It seems that I have been consistently, persistently distracted ever since my return from Adelaide. Not the least of these distractions has been the current flood, which still has me essentially landlocked, with a bit of a question mark over the state of my causeway. Nothing can be known firmly, however, until the waters of Devil’s Creek have receded a bit more. A good time for watching one’s thoughts, and how these insubstantial entities can so capture our attention and our energy.

But yes, Adelaide … a town that has always been good to me, right from the beginning when I landed there with Judith not long after I met her. It’s a town that’s almost quaint in its old fashioned politeness. And its long memory. My Adelaide friends and colleagues of all those years ago are my friends and colleagues still: and now loyal and enthusiastic fans as well!

In part, my Adelaide schedule followed the lines of these old friendships. A concert and talk for the migrant and refugee students of Thebarton Senior College, by request of my friend Sandor, who is a lecturer there. A house concert for friends at Seli-Hoo, a share house in Black Forest (owned by its tenants) that’s been going strong for some 30 years or more, where the art of living communally and of using resources wisely shows a definite stage of refinement. An impromptu set in the front bar of the Prince Albert Hotel in Gawler, by invitation from my old friend and wild, stompin’ and blowin’ blues howler Mr Steve Gower, who was mightily holding down the gig on that Saturday night.

And then there was a Candelo connection: via that songstress and fine slide player Miss Jodi Martin (big sister to Candelo’s premier bass lady, Robyn martin. Jodi's month-long residency at The Jade (Flinders St, Adelaide) was entitled The Songwriter’s Stage, a context in which she sat onstage “in the round” with three other singer/songwriters, chatting and swapping and collaborating, all very much on the spot and in the moment. An atmosphere so intimate that the usual boundaries between audience and performers seemed to vanish. I was lucky enough to be invited there for the very last night of Jodi’s current residency (May 25th) and felt very privileged to be included. And I definitely made some new friends! Amongst them fellow singer/songwriters Stan Bastiras and Kelly Menhennett.

On the following morning (Thursday 24th May) I was due in at Radio Adelaide in North Terrace for an 8:30 AM spot with Louise on The Breakfast Show. Not the best hour of the day for a late-staying-out musician, but Louise’s bright attitude and genuinely enthusiastic and insightful questioning quickly had me going strong. I love Community Radio anyway, but the feel around Radio Adelaide that morning was especially warm, friendly and focused. I’d go back there anytime

So, from the Radio Adelaide session it was a cab from the row off Rundle Mall out to Collinswood and that big white complex topped by those massive letters in shining brass, ABC. I got out, unloaded my guitar case, then through the big automatic glass doors and past the uniformed security man at the front desk, who told me to sit on one of the comfortable sofas in the foyer and wait. Paul Gough of The Inside Sleeve (ABC Radio National) would be down shortly.

And soon enough, there he was! All that bouncing energy, alive to the maximum, infectious. I jumped up, skipped the handshake (as I remember) and went straight for the hug.

“I like to interview standing up, walking around” Paul said to me before we began that part of things. “I just feel it’s more natural, kind of allows for a dynamic that's not there when you’re both sitting down. But you’re welcome to sit if you want to.” Taking up that offer never even entered my mind. What you hear when you follow the link below to the The Inside Sleeve broadcast of May 27th 2016 is a conversation between two men who are moving fast and catching impressions on the fly. Attempting to piece together a snapshot mosaic of one person’s life (in this case me) and of the thoughts, and lyrics, and melodies that have wound their way through it. A noble undertaking! And Paul Gough has been there doing this very same thing faithfully, week after week. Bringing all manner of musical artists - many of them independent - into touch with a wider circle of listeners. Helping these artists to touch places within themselves that will in turn touch others. Thank you again, Paul, for your time and your interest and your good company.

Friday night, May 27th at The Wheatsheaf Hotel: Michael Menager in Concert, with Chris Parkinson and John Derek Baker was, for me, one of the big surprises of the tour.. After witnessing Chris and John’s brilliant opening set on the night, I just knew I had to have both of those thunder-and-lightening guitar players up on stage with me. And together - well, we just lit it up. Everybody was having a good time: us, the audience; and (as had been the case at The Jade on Wednesday evening) everything we did - with no prior rehearsal, of course - was so spontaneous and improvised as to be infectious: the highs, the lows, the experimental places, the shimmering and sparking moments. We were all there together, players and listeners. My thanks and gratitude to everyone at The Wheatsheaf Hotel for continuing to provide a space where magic is encouraged!

And … well … there’s always more that could be told, but perhaps it’s good to stop here and to make this the wrap for Adelaide. My home-away-from-home down South. A place that’s as easy and familiar to slip into as one of those I-IV-V grooves in an easy key …